Bezel Setting –
Using a Lathe?
By Tom Weishaar C.M.B.J.
I bezel set this sapphire using a watch-maker’s lathe. |
 2. This watch-maker’s lathe was made by the Derbenshire Lathe Company sometime during the 1940’s, and was purchased from the U.S. Navy as surplus. It was originally used by machinists to manufacture the small parts that went in the mechanical navigation equipment of warships. Throughout its history this lathe has been kept in great shape and it’s the prefect tool to help me bezel set that sapphire. In case you’re interested, I’ve seen similar lathes sell for about $400 on EBay. If you get the accessories, a reversible motor and good selection of collets your total cost may be close to $700. It’s a good investment in a great old tool. |
3. I’m starting with a piece of seamless 6mm heavy wall platinum tubing. The sapphire measures 5.6 mm and will almost slide into the tubing. |
4. My first task is to make a platinum jump ring that I will solder down inside the tube. The sapphire will need a support to prevent it from sliding down into the tube. |
5. The support is being soldered in place with 1600 platinum solder. This is a hidden joint so I don’t need to use a harder solder. I always use natural gas and oxygen when I solder platinum. It’s a very clean burning fuel and does a great job. |
 6. Bench jewelers are accustomed to working with flex-shafts that hold items in three-jaw chucks. Lathes use very precise, interchangeable, collets to hold parts. My platinum tube is being inserted into a number 59 collet that will, in turn, screw into the headstock of the lathe. The openings in lathe collets range in size from .01mm to 8 mm and are graduated in .01 mm increments. These collets are the expensive part of a lathe as each one can cost $15 or more. You don’t need to have all ninety of the collet sizes, but a good selection of forty different sizes would work well. |
7. This lathe is a high quality machine. It has the added benefit of having a tailstock in which I can place a second collet to hold various tools. The tailstock seen here on the right is holding the setting bur. The headstock which holds the tubing spins while the bur stays stationary. As you can imagine a very precise seat can be cut using a set-up like this. |
8. After the seat has been cut in the tubing, the sapphire is inserted and held in place with a small amount of red sticky wax, sometimes called boxing wax. The stone should fit snuggly, but not overly tight. |
9. The sapphire will be burnish set into the tubing. For a burnisher, I use an old barrette file whose edge has been highly polished on a split lap. |
10. As the tube spins, I can hold the file at the top and bottom, apply pressure and roll the edge of the tube over the sapphire. A small amount of oil on the burnisher helps to lubricate the gummy platinum and produces a nice, clean bezel. This process does not require a lot of pressure, but a firm hand is good. |
1. Recently this design for a sapphire ring came to my bench. My instructions were to carve a wax model and have the mounting cast in 14 karat white gold. The ring was to have twenty-two .01 ct. diamonds bead and bright set around the sides and this .69 ct. round sapphire bezel set in platinum (for durability) and mounted as the center stone. Bezel setting the center sapphire is normally pretty straight-forward, but I would like to share a few tricks that have helped me improve the outcome. Please follow along as 
